Dining Room Tables. Choices for a previous owner of a traditional table.


April 20, 2012. I have moved and this is a table that appeals to me as my new dining room table. Hopefully I will be able to find a place in Toronto that carries some of the more far out designs that appeal. Too much to do to write an update now, but suffice it to say that this is a good space and I already love living here.

Here is another table I like, in this case mainly the chairs.

 In the absence of knowing what else is in the living/dining room, what do you think of these designs? 
Posted on April 21, 2012 .

FLASH FICTION

Now is the time to start to write again after all the upheaval of downsizing and moving. So last evening I went to my Writers Group to be surrounded by others who pursue this lonely passion. Think about it! Isn't it more appealing to connect with one's colleagues than to face the blank screen. It could sound like avoidance, but the hope is it will increase my courage and stamina to face the hours of work that writing demands. There are so many distractions at any time and during my recent move they took over.

Last night at the Moosemeat Writers' Group we reviewed flash fiction. Some members brought pieces for critique of 500 words or less, our word limit for stories that are complete but brief. The format for critique around flash fiction is different from our regular meeting (which you can see at www.moosemeat.org) and allows immediate feedback. Copies of the piece are passed around and as the writer reads aloud, the rest of us listen and mark up our copies to return after discussion to the writer. We do this in preparation for our annual chapbook which we launch with a reading, This year the launch will be at the Arts and Letters Club on Friday, June 1sr  at 7 p.m. One of the co-hosts is Jerry Schaefer. Last year the other co- host was Isabel Matawawana. At the moment, Is is teaching English in South Korea, but she will undoubtedly be cheering us on. The other co-host this year has yet to be formally announced. Stay tuned.
Posted on April 13, 2012 .

Life of a Writer. #5. On the Verge of Moving. Too Much Stuff. .


 I love the view from this window. It faces west and in the evening, I can see the sun set over the city. I imagine how well I will write there. Once the leaves on the trees are out, it will be beautiful, still with glimpses of the street and people passing by below. 

At the moment, I am shredding paper and getting rid of as much as I can so as to fit into my new space. If there is too much stuff, my brain will feel as cluttered as my environment. Not conducive to writing. So before I leave this house where I have lived for such a long time, I am trying to leave as much clutter as I can behind. How exciting this all is, albeit exhausting. Moving date fast approaches.


New floors, new paint job


Posted on March 23, 2012 .

My Brother's Blue Jay

My brother John fed the birds outside his home in Ste. Anne, Manitoba. He loved to watch them come to the feeders outside the window. So did his seven granchildren. This jay is snatching peanuts in shells that we put out in John's absence. My brother died on February 15th, 2012. I call this photo John's Blue Jay, not only because he loved birds, but also because watching them when I was there this past weekend for his funeral evoked many stories about my brother. I saw him only every year or so as he did not fly and Winnipeg wasn't on my agenda too often unless there was a wedding of one of his children or a birth or some other occasion. I was glad that my sister, her husband and I were able to visit our brother in January. This last trip was to go to his funeral service where it was apparent that this good man and his loving family have many friends. I said a few words about my brother after his son, Jim, spoke so movingly. A few stories about the early days before any of them knew John. I was two when he was born, I don't remember a time when he wasn't there. It is very hard to accept that he isn't any longer. Such a colossal loss. 
My brother was not a complicated man. He was a man of few words and quite quiet. But it did not take long to know that he was a kind man, filled with love. He will be sorely missed.

Posted on February 27, 2012 .

Storm on the Horizon.

I was fortunate enough to get an Aeroplan ticket to go to Winnipeg tomorrow for my brother's funeral on Saturday. Will I get there? At the moment, there are Travel Alerts for Toronto with snow predicted to begin at midnight. There will be, apparently, 5 to 10 cm. overnight. I know the drill. Chaos on the highway, chaos at the airport. Still, I am hopeful. There was also snow predicted when I went there a month ago to visit my brother, increasingly worried about him as he spent weeks and months in hospital. It was a good visit so if my flight is cancelled tomorrow, I know I saw him when he was still with us.



 
Posted on February 23, 2012 .

Life and Loss.

My brother died in hospital in Winnipeg on February 15, 2012. Everything shifts. The brother who was always there, from the time I was two, is gone. He was such a gentle man and as a child what one heard so often was what a nice boy he was. A nice boy. Well, he had his moments, ganging up with my younger sister to fight with me. What did we all fight about? It's hard to know now, so long ago were those days. We also played together and either protected or admired each other.

The paths of children raised in northern mining towns often diverged as we grew up and went away to school, to work and/or to get married. Very few returned to live in the place where we shared our childhood. Though many of us have visited and remarked on how things have changed. The underground mine that has become an open pit. The houses that have been torn down. How the town thrives through an economic downturn because of the discovery of more gold..

If someone has a brother or sister there, they are just as likely to have another in some other part of Canada. Or elsewhere. Thus I happen to have a sister in Vancouver and until yesterday had a brother in Winnipeg. Stretched out across the continent from where I live in Toronto. Nonetheless we three siblings have grown closer again in these later years when we could travel more and had also the benefit of Skype, email, Facebook, etc.

It is a sad day. Such a nice boy, yes. Such a gentle and loving man.
Posted on February 16, 2012 .

The Life of a Writer. #4 .Moving.

I was going to write about Christmas Day and what happens when left alone to cook a turkey for the family who call from their out of town home on the morning of the festive dinner that they are ill. What happened then was that two friends came and a good warm festive air circled us and the next day the grown kids came and enjoyed turkey soup, fitting as stomachs were still settling for them. Aside from those few words, it is old news now.


Now I have moved into another reality. One of decluttering and preparing a house I have lived in for over 40 years for sale in a week or so. It is time for moving into a new phase of life. And during all of this, how does one find time to write? I don't know the answer. Maybe there isn't any  time for that. However, I am prepared to enjoy this transition at this stage of my life and get back to writing in earnest once I am settled in a new and smaller place. A place where my friends who have already made this move assure me I will feel lighter. As junk disappears, I already do and rather imagine that it happens in stages.

How to move with the least amount of stress? Share with me! All suggestions welcome. I am well underway already, but it does seem daunting. I can work from morning to night and then look around and wonder if I've actually done anything. Where did all that stuff that is now in the garage ready for pick up by a man with a truck go? Nothing looks particularly different in the house. Although when my sister visited last week, she said she could see a big difference. Still the question remains, how to shoehorn what I want to take with me into a small kitchen, a small coat closet, a small linen closet and one rather large closet in the bedroom. Where will all the books go? All my papers? Well, some of the books, over 50%, have already gone to a refugee committee at a church for sale to raise funds for the committee's work. And the papers I continue to sort and shred.


In the meantime, I think it is time to read a book and go to a movie. Wouldn't you!!!
Posted on January 19, 2012 .

The Life Of A Writer. #3. Mentors.

I have been fortunate over my lifetime as a writer to have attended a number of first class workshops, retreats and courses from the Banff Centre of the Arts to the Humber School for Writers. The facilitators and mentors have been top notch, ranging from Austin Clarke at Glendon College (York University) in the mid 1970s to Alistair McLeod at the Humber School for Writers in 2006.


There were two who stand out as my ongoing mentors, both of whom are unfortunately no longer alive. I didn't meet either of them at workshops or courses, but they were the two who became both mentors and friends for the long haul. The first was William (Bill) Kilbourn whom I met through municipal politics (early 1970s) and the other, Adele Wiseman, when I interviewed her as Writer-in-Residence at the University of Toronto (mid 1970s) for a paper I was writing for the MLS degree on the various resources for writers as they learned their trade. Both of these courageous and talented writers encouraged my writing and I enjoyed their support and friendship over a period of over 20 years before they both died in the early 1990s. 

 I have many friends who are writers, but I don't think at the advanced age I have reached I will have another mentor like either Adele or Bill. Neither of them were alive when my first book, One Day It Happens, was published in 2007, but both of them believed there would be books. Especially about the northern mining community where I grew up and my second book, Ile d'Or, is the book they might have envisaged. Or I hope so. It was their faith that often kept me going. Their humourous responses to my despair at that ever happening. Their insightful comments about it. Now my friends and I encourage each other. Sometimes we read and critique each other's work. We go to each other's launches. We discuss promotion and applaud each other's successes, We carry on, knowing how important that camaraderie around writing is, that understanding of the long hours we slog away in solitude that precede any published article, story or book.

Two friends who have shared this journey over many years since I met them in the early 1980s are Joy Kogawa and Ian Wallace and I have appreciated, and still do, our conversations and mutual support. Now I am also meeting many other writers through my writing group and through the Writers' Union. Having books published gives one access to the work that goes on around the writing itself, including the advocacy of the Writers' Union and access to their resources on a myriad of topics (legal, copyright, etc.). But that's another story (or blog post).  

See also — Lisa Young's blog on writing:
www.50essaysonwriting.blogspot.com 


Posted on December 13, 2011 .

The Life of a Writer. #2. A Week of Avoidance.

Sometimes avoidance is necessary. Or is that just another excuse? No, there are too many events this week that nourish my mind and spirit. And after three months on crutches (another excuse?) when I read and wrote much more than usual, I need that nourishment. Or I need some level of change. So on Monday evening I went to the Toronto Dollar Supper Club to hear David Crombie speak. What a treat to hear a talk on cities within the context of ideas and vision. There is such a lack of that at the municipal level  in Toronto (not to speak of other levels of government) these days. My mind was challenged again to think of what can happen in positive ways as the democratic process leaves room for ideas to thrive. And for people to make their voices heard. Yes, such an evening (when my friend, Joy Kogawa, was also honoured for her work around the Toronto Dollar) helps replenish the spirit.

Tuesday: A friend took me out to dinner at Zucca's where we both ordered black cod with an olive crust. After admiring the presentation, the meal then melted in our mouths. Ruby has done so much for me over the time of healing from foot surgery that I felt I ought to be the one treating her to dinner, but she reminded me that I'd given her my Metropass for three months and how she had been able to use it to find out if it would be useful for her. Of course, that led to some discussion of the deterioration of the TTC. Unfortunate reality as the infrastructure seems to crumble and service is about to be cut. Not to mention fare hikes. In any case, she enjoyed the flexibility of the Metropass and wanted to treat me. Thanks, Ruby.

Tonight I will go to my local library to hear a talk on Chagall given by David Wistow from the AGO. I took a course from David on the Group of Seven many years ago and know him to be a fine, informative speaker. I have seen the Chagall show at the AGO twice as well as many years ago his work at the Chagall Museum in Nice. I look forward to tonight's speech.

The week goes on. And the truth is that this week I have also been revising some stories and as well have read an unusual novel by Teju Cole, a Nigerian born author, set in New York City called Open City. I am now finishing a book of essays called Why Not?, such a literate little book, by Ray Robertson, a thoughtful Canadian writer.

After tonight, two evenings of socializing.. Open House at Dance Cafe and Christmas party of my writing group, Moosemeat. Better to avoid writing for a while than these stimulating events!!! Or better to take them in along with a bit of writing on the side. The balance will shift the other way soon enough.
Posted on December 7, 2011 .

The Life of a Writer. #1. What I do to avoid writing.

Ah well. I think about it a lot. I make my bed. Do the laundry. Cook. Bake. Do you want a recipe for cheesies made with rice krispies? Or an apple crisp made with cinnamon raisin bread as a topping? I've made both of these this weekend. I ate the apple dessert in two days. The challenge becomes not to eat the cheesies before going to the Christmas party of my writing group later this week. I think I'll make a salad for that as well.

Oh yes, I went to St. Lawrence Market yesterday morning. Then had a friend over for lunch. She is en route from the east coast to Saskatoon where she lives now. She brought the flowers!



I also read both the Globe and Mail and the Toronto Star, Saturday editions. And am reading a couple of books. And I guess while all of it was interesting and even necessary, now it is time to do some work.
Posted on December 4, 2011 .

McGILL ALUMNI (TORONTO) BOOK CLUB. NOVEMBER, 2011

 A wonderful evening of conversation with a group of McGill Alumni in Toronto. I had the opportunity to speak for half an hour and then to answer questions for another hour. What a privilege for a writer to spend that amount of time with a group (over 30) who know one's book and want to talk about it.

Each format for a reading or presentation is different and I stayed pretty flexible because what I was requested to do was quite open-ended. The closer the event became, the more time I was given to present and/or speak at the beginning. When the time came, I spoke with a couple of short readings interspersed when they fit what I was talking about. For instance, I talked about a character who popped into the book in the final revision quite spontaneously. I was surprised and not sure what to do with Marcel, the ten year old boy, but he demanded to be there. So he stayed and wound his way through the book as I proceeded with the final revisions. The section I read was about his first appearance next to a rock where Nick, a man who had returned to the town for a visit, was sitting deep in thought.

Ah yes, Marcel appeared on the page fully formed and demanded to be there. I have no idea where he came from, except I wrote him. Writing is sometimes such a mysterious process. One has to be open for what arrives. And then there are all the hours of sheer work as while something may present itself spontaneously, one then has to work with it.


In any case, this book club was one of my best experiences and I will cherish it for a long time. An honour to have been asked and to have met with so many others from my Alma Mater for the evening.


Posted on November 14, 2011 .

HOW TO WRITE A MEMOIR. A FEW HINTS!

1. READ. 
William Zinsser's Writing About Your Life is a particularly helpful book to read if you are contemplating writing a memoir. Also, read lots of memoirs. As you learn about the life of someone who interests you, you can also see how that person tells his/her story.What makes it interesting? That may help you decide what it is that makes your life interesting that you can make into an appealing story for your readers.

Pick a point in time at which to start. This does not have to be in chronological sequence. In the same way a novel may go back and forth in time, so can a memoir.


2. WRITE.
At some point, it is necessary to start writing. At the beginning, get things down. You can choose what to keep later when you have thought about what stands out about your life. And what story you want to tell about it. You will have to decide what to include and what not to include. It is important not to include everything.


3. REVISE.
You have to create a narrative of your life. writer of a memoir doesn't simply try to convey every detail of an entire life, but has to select what is important to the narrative chosen. And to tell a compelling story.

Everyone has a story, but do you have a reason for wanting to share it? It might turn out that your reason is the hook for your readers. And provides you with the thematic unity your story requires.


Note: It may be presumptuous of me to try to convey how to write a memoir when mine has yet to be published. However, I've almost finished it and what I have learned thus far is fresh in my mind and may be helpful. And I have had both a short story collection and a novel published.

Good luck with it!
Posted on November 3, 2011 .

MEMOIR. Draft Prologue. When Gold Was Worth $37 An Ounce.

Come to Val d’Or for your first million.*My father went to the golden valley because of gold, but I don’t think he thought it would lead to his first million. I'm quite sure he never reached a million. But it was certainly because of the gold that he, a mechanical engineer, was hired by Sigma Mines to design the hoist and to oversee the technical aspects of its operation. It was the first home of my parents who were married in 1935, the same year they moved into a company house built for the first residents at that mine in northwestern Quebec. Here they lived for thirty years and this is the town where they raised three children.

The impact of this town, and others like it across the north in that era, was to create a tribe of northerners, something that remains in one’s blood for a lifetime. Yet other factors and themes are the basis of whatever myths sustained our family. Myths that are likely at the very root of what created the life trajectories of each of the three children, my two younger siblings and me. Each of us might answer differently the question of how and why we’ve followed particular paths, yet there would be some commonalities drawn from the themes of the isolation of a mining camp in those days — the sound of the whistle at the mine as well as the blasting underground, the French language surrounding us, the family silver, the focus on reading in our lives, the English dictionary, the fireplace. Or could it have been mainly the experience of our father going to war that formed us? Was it his focus on overseas as well as on ancestors and family trees? Perhaps it was our father’s alcoholism. And our mother’s joy in good company, good food and dancing.

I knew early and only too well the impact of the alcoholism, but I wasn’t aware of the importance of most of these other themes except as underlying refrains. And even underlying that perhaps it was after all the gold that had the greatest impact on all of us. The gold about which we knew so much more than we were even aware of knowing. For we children of the company houses all knew the price of it. $37 an ounce. We knew that it was melted in a hot furnace and poured out in a liquid stream into rectangular pans to create gold bars that were then hidden away somewhere none of us knew about. We knew it was because of it the miners went underground to that dark place where only men were allowed to hack and dig into the rock, looking for it. We knew these things, but we ignored them as we played games, went to school, made friends who came and went in our lives when their fathers moved from one mine to ours and then away again.

Some of the men probably did make their first million in the frontier era of the gold mines. Probably not by mining. More likely on the stock market or by high-grading. There were always men who brought out bits of gold from underground, hidden in their mouths, in their clothing, in their lunch buckets. High grade gold it was called because it was of the highest grade and consequently the most valuable. And there were ways of selling this stolen gold down the line through mob contacts in places as far away as Montreal, Buffalo and New York City. Like so many things children know, this was something we overheard the adults talk about. We knew who was suspected of high grading and who had put money into the stock of some penny mine that had gone into production and created wealth for owners off in some city, but also for them as a result of that.

I don’t know about my father’s success on the stock market, but he did invest in some of the larger gold producers. He tended to his finances, but in reality he left most of that to my mother. It was his job to draft and design and to go underground to check on how the equipment worked down there. And in 1942, after his third child was born, he went off to join the army. I do know that he was proud of his family, particularly of his antecedents. And it was my father who showed us family trees and how to read the hallmarks on silver. 


Most of this held no interest for me, or only peripheral interest. Except, I suppose, for the gold that was not possible to ignore. Until I went to a writing studio in Banff in 1992 long after my father died and discovered a story there about someone known to us as our maternal grandmother’s Uncle Billy. Of course, we had been told this story but never in as vivid a form as I found it there in a manuscript in the Whyte Museum of the Canadian Rockies.

As children we had only known this ancestor of my mother’s as Uncle Billy and the story told about him was that he had discovered the Banff Springs. Like gold, another discovery of something of the earth. But it was more than that that struck me as I read from his manuscript. It was in those moments, sitting quietly with his huge, unpublished material that I began to realize ways in which all the different branches of our family had a role in the creation of our country. From the grandfather who worked in gold mines in South Africa before emigrating to the gold mines of northern Ontario. From the discoveries of Uncle Billy in western Canada of the hot springs and apparently also of oil. From the ancestor who settled on the banks of the St. Lawrence, who was the first settler in Canada. And it was at Banff I realized I wanted to explore more the small role of the nuclear family to which I belong in this wider picture. And these themes began to resonate as I delved into my own life and history, tying it to that of a family and a country.

Everyone has their own story, of course, and every Canadian’s story is part of the larger whole that is our country. I just hadn’t thought of it that way before going to Banff and it is because of that discovery that I began to write this memoir.



*“Dans son rapport annuel de 1934, le Service des mines du Quebec rapporte que ‘la ville connue sous le nom de Val-d’Or, située sur les lots 61 et 62 du canton de Dubuisson, et sur le bloc 14 du canton de Bourlamaque, a déja une population considerable.’
A l’été1944, un vaste panneau apparait a l’angle de la 3e Avenue et de l’Avenue Centrale.
On peut y lire:
‘Val d’Or , Québec.
La croissance de population la plus rapide au monde
1934, population: 5 prospecteurs
1944, 7,500 personne prospères.
Une augmentation de 1,500 %
Venez a Val d’Or, pour votre premier million.’”
(*Société  d'histoire de Val-d'Or)




Posted on October 29, 2011 .

What Are You Reading?

When I read, I feel a sense of well-being when language is poetic and has surprising images and metaphors, when stories are intriguing. I am delighted with books of that exquisite caliber that soothe, transfix, even transform me. This is the gift of well-written fiction. I have been reading practical books about the financial mess that has taken over on a global basis, but it was only when I picked up a couple of novels recently that I was satisfied at this deeper level.


These novels were:
  • Itani, Frances. Requiem.
  • Ondaatje, Michael. The Cat's Table.


There are many other novels on my 'books to read' list and I will try to mention them at some future date. In the meantime, I'm interested in the recommendations and comments of others. Both for my own interest and for anyone else who drops by this site for ideas about writing and reading.


Oh, by the way, I've been rereading my own novel, Ile d'Or, before my next book club appearance. And I would like to recommend it to readers as an interesting read that will intrigue and surprise you and give you insight into aspects of Canadian life and history.
Posted on October 23, 2011 .

WRITER'S BLOCK.

I can't imagine there is a writer who has not experienced writer's block. In the days when paper was used, fear of 'the blank page' captured the condition. There ought to be a contest for the number of ways  a writer avoided sitting down to confront this page. Or nowadays, 'the blank screen.'

What would your list look like?
Mine might involve:
  • making a phone call. For me this is usually a terrible solution that distracts me further from work and creativity, but wonderful for that ongoing sense of isolation that occurs when facing the page. 
  • Putting the dishes away. Well, after all, like the laundry, the ironing, making the beds, taking out the garbage, it needs to be done. Just not now!
  • Going for a walk. For me usually a wonderful solution in that ideas begin to flow then. I usually wait too late to take this walk and have gone through all my other time wasting techniques to no avail. When following a more ongoing routine than I do now, I took an early morning walk and then another late in the day when I wanted to make the transitions in and out of writing. Lax as this may sound, it created a structure and discipline of its own.
  • This summer when I was on crutches and couldn't walk I took up baking when I wasn't sure where or how to start on some piece of writing. Now that the crutches are almost gone, I will have to go back to walking a lot as I gained 10 lbs. Oh happy day! 
I think you get the picture. You probably do a lot of the same things. Or similar ones. When someone asks me what to do to start writing, my immediate thought is 'Sit down.' So I sit down at the computer at some point and open my word processing program and begin. If one manuscript has left me blank, I start with another. That may start me working in an entirely different direction for a while, but I usually have a number of things on the go and rather than writers' block, my problem is often focus. But we could talk about that another time! Or not.

What about you?

Posted on October 16, 2011 .

So You Want to Write. Some Questions to Ask Yourself

People seem endlessly fascinated by the routine writers follow. Often they don't know how much work it involves and isn't simply a matter of some inspiration that carries a story or book to completion. While an idea may come in a sudden flash, the story that follows may take months to write. And when do I do that writing? 


The flash has sometimes come in the middle of the night and I have then spent the night writing something that became the backbone for a story. But the ongoing work of writing and revising happens during the day for me. Generally in the morning. Although I've had various routines to fit different stages of my life. One period when I took time from employment at the various places I worked to make ends meet (and sometimes because I believed in and/or enjoyed the work), I found working during my children's school hours was the only time I wouldn't be distracted too often.

When my children left home, I fit my writing time around my other employment. I made a point of not working on Mondays at the job and taking that day to write. I had the good fortune of job sharing with someone who wanted Fridays off so I was able to follow that regimen for quite a few years. Since retirement from outside employment, I don't write at the same time every day. However, I have a minimum amount of time for writing each day that is on the low side and I make sure to meet that. What I find is that I more often than not exceed it. But at the same time, I don't feel as if I am missing out on what the outside world has to offer that I want to explore.

The questions to ask yourself if you, too, think you want to write likely go something like this:
  1. Do you have a deep need or a strong urge to share a story? You may know that everyone has a story to tell, but that not everyone can write. Can you write yours? Are you willing to spend a minimum of an hour or two a day on this? Are you willing to spend more time if you find the story requires more to develop?
  2. Are you willing to revise and revise and revise?
  3.  Are you able to face rejection when you send your work to editors/publishers? Do you know how difficult it is to find a publisher?
  4. Do you know how difficult it is to find an agent? The agent is looking for someone who has already published a book or two, the writer without a book published has difficulty getting their work looked at at all. Sometimes it seems like a mug's game.
  5. Would you consider self publication?
  6. Do you have any idea how rapidly the whole face of publishing is changing? With electronic media as well as the traditional book publishers now in the field, do you have the energy to learn about what is going on so that you can make the best decisions about submitting your work?And what kind of contract you need when it is accepted?
  7. Are you aware that it is difficult to get most books reviewed anywhere, that books have a short shelf life and require as much time devoted to them after publication if you want sales as during the writing process?
  8. Are you willing to put a lot of time and effort into promoting your book once it is published, in whatever format?
  9. Are you aware that only a small number of writers make significant amounts of money from their writing? 
  10. Are you going to sit down today and start?
If you don't seem to have a choice about whether you write your story or not even if you find your answers to the above questions discouraging, just get cracking!


AND GOOD LUCK TO YOU!






Posted on October 6, 2011 .

The Ten Most Common Questions I Am Asked at Readings.

The most common questions I encounter at readings vary from one to another, of course. But there are certain common themes. Working in the field, one forgets that the central knowledge of one's metier is a mystery to most people. Even avid readers. Even other writers who are starting out on the journey that may lead them to published articles and books also. Even one's friends.

So people come to readings for a variety of reasons. Many of them reflected in the questions that are asked.
  • When did you start writing? This questions links well with why I started writing? So unless that has already been asked, I tell the story of having a poem accepted when I was 7. In other words, an early success, but followed by a long history of rejection. Although I don't recall much other writing before my late teens, etc., and then before my mid thirties.
  •  How long did it take to write the book? This is of endless fascination and I imagine there are as many answers as there are books. Or writers. Sometimes it is hard to answer as a first draft may have been written long ago and been picked up over the years and set aside again. It would be lovely if every book took a year or two to write and then was published shortly thereafter. That is rarely the story of any book. I often say my novel, Ile d'Or took 40 years from the first glimmer on paper to publication. Of course, I did many other things and wrote many other stories during those years. But it is nonetheless an honest answer.
  • Where do you get your ideas? What I often want to say to this one is, I wish I knew. But there are many sources for ideas so I look at the specific work we are discussing and tell the audience about some incident that led to this novel. Or this character. Something for them to think about and perhaps apply to their own experience.
  • Do you start with a character or an idea? Or do you have a plot in mind? Do you work from an outline? These questions usually come separartely, but in the writing of a book I think of them as similar and often it makes the process more clear by talking about them together.
  • Who is your favourite writer? Who are you influenced by? I confess this varies depending on the day, although there are many Canadian writers whose work I love and one of my earliest passions was for Russian writers like Dostoyevsky,
  • How did you find a publisher? Trying every avenue I could think of, I was finally accepted by Inanna after many years of having short stories published and continuous rejection of longer work. Tellling about this could take an evening, but that is essentially what happened.
  • Do you do a lot of research? Not a lot of official research. Often my life experience has been my research. If I need information, I ask people who have knowledge a lot of questions and these days do research on the internet. Sometimes also in libraries.
  • How many copies of the book have been sold? Often I don't yet know because of the vagaries of the publishing business, but I tell them I think all of us would know if it were a best seller.
  • How much money do you make? I don't know the answer to that either at any given moment, but an awful lot less than most people assume. I've always had to have another source of income to write, which has made for a lifetime of adventure, to put the most positive slant on it.
  • Where/how do you start to become a writer? This is probably the prototype kind of question for people who are trying to figure out what to do to get the story they have out there in the world. And the reply is just as stereotypical really, you just sit down and start. Beyond that there are many answers to specific questions, but I think people think writing is easy and the reality is that it's 90% hard work. Slogging. After the idea comes the writing, the revising, etc. over and over.
  • Which character most closely resembles you? I sometimes say which one I think does, but often find an interesting anecdote to tell that increases the mystery for the questioner. So often it is assumed that everything in a book is true and based somehow on my life when I know there is a mixture of truth there, but used imaginatively to create a new reality. So answering this question can be fun!
These are the general questions that seem to arise over and over, whether with friends, at a reading, wherever. There are always very specific ones based on the actual book, questions about why a character does something, about the setting, anything that has intrigued a particular reader. I find the q&a's a lot of fun as I enjoy the feedback now that my work is out there. And often there is something I haven't thought about that gives me pause and delight when I see my work reflected through a reader.
Posted on September 30, 2011 .

Fall Sky Over the St, Lawrence. 2011

 
Photo by Nicole Gombay

This sky reminds me of skies in northern Quebec where I grew up. It is solace for my soul when life in an urban metropolis feels overwhelming.  At the moment, what does that to me is not the city but the lengthy period I must spend on crutches. I think, I read, I write, but after a few weeks, having one's freedom of movement curtailed becomes almost unbearable. Today the ennui was relieved when my niece arrived in her car and she took me to vote at an advance poll (Ontario election). We also went to the grocery store, something I haven't been able to do since July. I find the firsts very exciting, even something so mundane as going to my local NO Frills store. I haven't ever shopped on crutches before, so that was an eye opener. I suppose there is a story in all of this, but at this point I look forward to putting it all behind me. I get sick of following my friends only on Facebook, wish I could join them at Word on the Street tomorrow. I hope the weather holds up and that it is a great day for books in Toronto. And everywhere else WOTS is being held on this last Sunday in September.
Posted on September 24, 2011 .

BOOK CLUBS. Planning for a Book Club Appearance.

Recently I received a request from the Toronto alumni of my alma mater, McGill University, to attend discussion of my most recent book, the novel Ile d'Or, at their book club's November meeting. The invitation included a request to speak at the beginning of the evening. 

The email reads as follows: I think it would be a real treat if you would speak for about 10 minutes or so at the start of the meeting. In addition to people having the opportunity to hear from an author (so rare and exciting!), it might also lead to more questions for the group.

I agreed to do this (with pleasure!) and have some possible ideas for a talk, suggested by the questions of the representative of the club, as follows:
  • A short introduction about yourself (where you are from, where you went to school, how you got interested in writing, etc.). 
  • How long did it take you to write this novel?
  • What is your writing process like? For example, do you plan out the plot and characters first in great detail, or do you just start and see where it goes?
  • Anything else you might want to include...
  Please let me know your thoughts about such an introductory talk, she writes... I think it would generate incredible interest.
  
The questions are similar to those I am asked when I make other public presentations, although the format and audience are different each time. The key difference in the situation of being invited to a book club is the assumption that many, if not most, of the participants will have read the book. This leads to more interesting discussion for both writer and readers. So while the questions suggested are general, more in-depth ones will more than likely emerge in the course of discussion.  So while initially I am guided by a format, I scarcely have to do more than think about it for this part of the talk. Since I haven't reread the book for a few months, I will likely at least skim it before the meeting though.

 I don't think this will be a piece of cake, but every appearance is exciting and gives more visibility to the book. I do expect to enjoy it as much as I did a large slice of the cake below at a recent party.






Posted on September 15, 2011 .