NEW from Inanna Publications
Montreal. April 20th to 25th, 2010
While in Montreal I attended many events at Blue Metropolis Literary Festival. At the same time, I worked to a deadline around completing the galleys of the novel as well as on the return trip on the train. The novel had to be to the printer by April 27th to be ready for the launch on May 18th in downtown Toronto. It did intrude somewhat on what I had planned to do in Montreal, but I was still able to walk and wander. And to visit with special people.
REVIEW. Short Story Collection.
Recent review of my short story collection, One Day It Happens....http://www.canlit.ca/reviews.php?id=15096
Review was written by Lee Baxter. Thanks, Lee
Review was written by Lee Baxter. Thanks, Lee
BOOK COVER
Ile d'Or. Chapter 1. First paragraphs.
The last gold rush in Canada occurred in the Abitibi region of Quebec. By the 1940s, there were rugged mining camps scattered through the area where prospectors had staked their claims. Flying overhead at night in a small bush plane, a pilot would see lights like diamonds sprinkled in the bush. One of these villages was called Bourlamaque, after a general in Montcalm’s army.
There was a larger town connected to it, Ile d’Or, which was the commercial centre. No markers told when you left one and entered the other, but the residents near the shaft in Bourlamaque were glad to live in the log cabins that were built for the miners with Anglo money.
In the 1980s, word was that the one operating mine left in town was soon to close, that the gold was too expensive to mine, that there wasn’t enough of it any more. For a while, there was rumour of a buyer. The people of the town were worried. Some were anxious that dust and noise and the sight of an open pit would be too much for them. But there were even more who wanted the changes because of jobs the mine would continue to provide.
Michelle Dufresne was standing near her father’s grave in the cemetery on the outskirts of Ile d’Or when a man with a duffel bag slung over one shoulder walked between the tombstones toward her. She hadn’t seen him in town before, so she was startled when he waved at her.
“Hi, Michelle,” he said.
It was then she noticed that his face was somewhat familiar, but she couldn’t place it.
“You don’t know who I am, do you? I’m Nick,” he said. “Nick Petranovich. Remember those dances at the Rialto when we were teenagers?”
Her face went white. Nick Petranovich was older than her and she’d had a crush on him. It had surprised her when he’d asked her to dance and talked to her as if she were his age. But she wouldn’t have thought he’d remember that. And she hadn’t seen him since he went away to university in the 1950s. She’d heard he’d become a doctor, had a family, divorced and — she’d read his obituary just over a year earlier.
“But, but,” she stammered.
She’d thought that he would have been in his late forties by the time of the untimely news. She didn’t know if he’d been in an accident of some kind or if he’d had a heart attack. Or maybe it was cancer. The death notice didn’t specify and among the charities named for donations, none were ones that suggested anything. She backed away slightly to look at him more closely.
“The obituary in The Northern Miner,” he said, brushing his hair back with his free hand. “Yes, I can see you might be startled.” He smiled broadly.
“I don’t understand,” she said.
There was a larger town connected to it, Ile d’Or, which was the commercial centre. No markers told when you left one and entered the other, but the residents near the shaft in Bourlamaque were glad to live in the log cabins that were built for the miners with Anglo money.
In the 1980s, word was that the one operating mine left in town was soon to close, that the gold was too expensive to mine, that there wasn’t enough of it any more. For a while, there was rumour of a buyer. The people of the town were worried. Some were anxious that dust and noise and the sight of an open pit would be too much for them. But there were even more who wanted the changes because of jobs the mine would continue to provide.
Michelle Dufresne was standing near her father’s grave in the cemetery on the outskirts of Ile d’Or when a man with a duffel bag slung over one shoulder walked between the tombstones toward her. She hadn’t seen him in town before, so she was startled when he waved at her.
“Hi, Michelle,” he said.
It was then she noticed that his face was somewhat familiar, but she couldn’t place it.
“You don’t know who I am, do you? I’m Nick,” he said. “Nick Petranovich. Remember those dances at the Rialto when we were teenagers?”
Her face went white. Nick Petranovich was older than her and she’d had a crush on him. It had surprised her when he’d asked her to dance and talked to her as if she were his age. But she wouldn’t have thought he’d remember that. And she hadn’t seen him since he went away to university in the 1950s. She’d heard he’d become a doctor, had a family, divorced and — she’d read his obituary just over a year earlier.
“But, but,” she stammered.
She’d thought that he would have been in his late forties by the time of the untimely news. She didn’t know if he’d been in an accident of some kind or if he’d had a heart attack. Or maybe it was cancer. The death notice didn’t specify and among the charities named for donations, none were ones that suggested anything. She backed away slightly to look at him more closely.
“The obituary in The Northern Miner,” he said, brushing his hair back with his free hand. “Yes, I can see you might be startled.” He smiled broadly.
“I don’t understand,” she said.
Distant Early Warning Line
Editing of 'Ile d'Or'continues. There are lapses when I assume the editor is editing other books, arranging launches, etc. The publisher has books ahead of mine, coming out in April. I have been down this road before, so I have confidence that my novel will come out in May, as planned. That's not very far away, is it? In the meantime, there are fascinating questions that arise. Yesterday the editor wanted me to verify that it was really possible that the mother of one of the main characters could really have been a volunteer spotter of planes in the early to mid 1950s. Of course, I knew it was possible because my own mother had done this (all other similarities are accidental!!!), but figuring this wasn't going to be enough to convince her, I went onto the internet and read about the DEW line, established in the far north at that time. I also called my brother in Winnipeg because he had spent three years with the RCAF in the late fifties wiring these stations. The American government wanted them built to detect incursions of Soviet planes, considered a threat at that time. In an agreement with the Canadian government, the RCAF took on this work. During this period of deliberation and construction, fearing that some planes might fly in at low altitudes and not be picked up by radar, volunteer spotters were used in many locations in the US and certainly in the northern mining town in Quebec where I grew up. My mother was one of them, fascinated by the airplanes she did identify and count. I also found a couple of old newspaper articles through Google on this program of volunteer spotters, one from as far away as Florida.
When I relayed this information to my editor, she wrote back that what I'd sent her was fine. She had just wanted to make sure that someone didn't find some inaccuracy and embarrass me. Well, this memory of the character in the novel is as fuzzy as most memories and doesn't need nor have all the detail in that context, but now both she and I both know the detail behind the memory. It was fascinating to revisit information about that era.
When I relayed this information to my editor, she wrote back that what I'd sent her was fine. She had just wanted to make sure that someone didn't find some inaccuracy and embarrass me. Well, this memory of the character in the novel is as fuzzy as most memories and doesn't need nor have all the detail in that context, but now both she and I both know the detail behind the memory. It was fascinating to revisit information about that era.
From Manuscript to Book
My novel, Ile d'Or, will be published in May, 2010. It was accepted for publication by Inanna last fall.
I have been asked by friends about the difference between editing my collection of short stories, One Day It Happens, which was published in 2007 and editing a novel. Well, I found it much easier editing a short story collection, especially since the stories weren't linked by character and time frame. With the novel, one has to recall time lines, ages, characteristics through the length of a long manuscript/book. If one gets any of these wrong, it is not only likely, but certain, that a reader will discover it.
Likely there are other differences, but the challenge of maintaining consistency is the main one. At least for me. It was also true when writing and revising it. I could create charts and cards with descriptions, but after a period of time away from the novel, it was always difficult to go on without glitches. Perhaps these are the ones I am finding now as Luciana asks me to confirm that one character is two, three or four years older than another. Etcetera.
I have been asked by friends about the difference between editing my collection of short stories, One Day It Happens, which was published in 2007 and editing a novel. Well, I found it much easier editing a short story collection, especially since the stories weren't linked by character and time frame. With the novel, one has to recall time lines, ages, characteristics through the length of a long manuscript/book. If one gets any of these wrong, it is not only likely, but certain, that a reader will discover it.
Likely there are other differences, but the challenge of maintaining consistency is the main one. At least for me. It was also true when writing and revising it. I could create charts and cards with descriptions, but after a period of time away from the novel, it was always difficult to go on without glitches. Perhaps these are the ones I am finding now as Luciana asks me to confirm that one character is two, three or four years older than another. Etcetera.
Writers' Union Workshop. February 2010
How to adapt to the changing literary landscape drew me to a workshop sponsored by the Writers' Union of Canada last Friday in Toronto. These workshops are being presented across the country. What a gift for writers who work in isolation and need to know what is going on. Betsy Warland talked about this landscape and how writers can function in changed circumstances. Ross Laird talked about the exciting possibilities the new landscape presents for writers. If we can embrace the technological world of social networking and websites and blogs, we have the opportunity to create a 'platform' where we can reach readers. And sell our books! Indeed, these days it is necessary to create such a platform. Deborah Windsor, Executive Director of the Union, presented a useful segment on contracts. I came away with new information, new strategies for publicizing my upcoming novel, Ile d'Or, which will be published by Innana in May, 2010 and new contacts in the writing community. I was also pleased to cross paths with writers I'd met elsewhere. Farzana Doctor and I had our first books published by Inanna in 2007. Carol Giangrande and I were at the Banff Centre at the same time in 1992. So it goes! A stimulating day. My friend, Barb Wehrspann, attended on the day before I did and I look forward to comparing notes with her.
I was also interested to discover that by the definition of the WU, I am an established writer now that I have two books published or about to be published. The three cateogories of writers listed on a form to be filled out in evaluation of the day were: Unpublished, Emerging and Established. As an emerging writer, one has articles and the like in periodicals. I was an emerging writer for a very long time!!!
I was also interested to discover that by the definition of the WU, I am an established writer now that I have two books published or about to be published. The three cateogories of writers listed on a form to be filled out in evaluation of the day were: Unpublished, Emerging and Established. As an emerging writer, one has articles and the like in periodicals. I was an emerging writer for a very long time!!!
White Ibis. Florida. January, 2010
Publication Date
My novel, Ile d'Or, will be published by Inanna in May 2010.
Summer 2009
Just back from the north. Spent a week in French in Val d'Or. Another week in Haileybury. With friends. I revised the short story, 'The Photograph,' on the train. It's almost another story now. Otherwise, just enjoyed myself. Read two novels in French. The photos below are among over 300 I took as a journal instead of writing one. The bookstore is in Val d'Or and the owner, Marlene Cote, wanted a photo with me. She also wanted me to sign the two copies of my book in the store. She'd read it and commented on one story in particular, 'The Empty Chair.' It was a treat to meet her. I asked her for recommendations on French novels and she suggested the two I bought and read. The waterfront photo is of Haileybury (on the shore of Lake Temiskaming), a perfect spot to live except it's too far away from my family and my friends in the city. Oh well! I had a good time and Helen in Val d'Or and Margie in Haileybury think we should make it an annual affair. Lovely offer!